Hand-tinted Sarony and White Photo Cards - ca. 1915

These pieces seemingly belong to a series of nicely hand-tinted, oddly sized (4.625" x 6.5") photo cards featuring portraits by Sarony and White, ca. 1915. I do not have all too much information about them but I suspect they were produced by Kraus Mfg. Co. N.Y. as they're clearly quite similar to, and featuring the same portraits as several of their abundantly popular postcards. From Mary Pickford's Estate. Gifted from the Pamela Short Collection.

Photo by White.

Photo by Sarony.

Photo by Sarony.

Photo by Sarony.

Photo by White.


Mary Pickford - Melbourne Spurr Photos

“Mary Pickford,” says Melbourne Spurr, “always comes back to me, so I guess she thinks I’m not a bad photographer.” 

Mary Pickford herself helped launch Melbourne Spurr's Hollywood photography career having been so impressed with his work shooting her for Fred Hartsook studio. It can be said that any photographer's career would get a boost if they shot Mary as that in itself was rather marketable at the time, but for Spurr, the quality of his Pickford portraits created a feverish interest -- so much so, that sittings would have to be booked months in advance. He would go on to photograph many stars in the 20s for his own studio, but branched out to other subjects by the decade's end.


Mary Pickford by Melbourne Spurr c. 1923. Photographer's studio stamp on verso and embossed at lower right. Personalized and hand-signed by Mary in purple ink. Gifted from the Pamela Short Collection.

Mary Pickford posing for Melbourne Spurr. Photographer's stamp on reverse. 1922. Part of NZ Photo Album.

Mary Pickford posing for Melbourne Spurr. Photographer's stamp on reverse. 1922. Part of NZ Photo Album.

Mary Pickford portrait - Photographer Unknown - ca. 1913

8x10 portrait of Mary Pickford with a stylized signature in medium, ca. 1913. Despite being marked, the photographer remains unknown at this time. I suspect it was a NYC-based studio but that is only a guess. It could just as well be from the west coast or anywhere in between. Do you know recognize the studio mark or know the photographer?



America's Sweetheart Mary Pickford at the Clemmer - pinback button - ca. 1915

1.25” souvenir pinback button manufactured by the Whitehead & Hoag Co. of Newark, NJ and distributed to theatregoers by the Clemmer Theatre. After scouring many newspaper articles and ads, I have been unable to conclusively determine 1. Which Clemmer Theatre gave these away (as there was one in Seattle and one in Spokane) and 2. When exactly they were given away. With that said, I think ca. 1915 is fair based on the lovely photo by Apeda (assuming it’s really by Apeda) which was most used around then. A similar button was likewise issued by the Popular Theatre.

Mary Pickford - Correspondence Card - 1914

Fairly scarce (I've seen one other,) hand-signed Mary Pickford correspondence card. "Miss Mary Pickford wishes to express her thanks for your charming letter of appreciation of her work. She trusts you will continue to enjoy her pictures and she encloses her photograph with best wishes and kindest regards. Mary Pickford. 108 St. Andrews Place, Los Angeles, California." 1914. Part of NZ Photo Album. 

As a side note, Mary and her mother leased the property for 6 months in early-1914. They were subsequently sued, for $111.44, by the owner of the property, Florence S. Porter, for skipping out one month's rent, allowing her dog “to sleep on some costly tapestried cushions,” damaging a brick column with her car, and damaging the hardwood floors -- the plaintiff's lawyer also noting, “Late revelries and orgies.” Mary argued the house was unsafe due to sewer gas, her wardrobe was ruined by leaking plumbing, she contracted a cold when the furnace out of commission due to a flooded basement, and she “missed an important engagement when her automobile was held by a cavein of the cement driveway.” Mary ultimately won the suit but her mother had to pay a $6.40 water bill. 


The house was located at 108 South St. Andrews Pl. and has since been demolished. There are several photos of both the inside and outside of this house out there in the world, often erroneously noted as being a supposed house at 1403 N. Western Ave. (which itself is a mystery... but that is whole other story.) The two photos seen here from AMPAS are for reference only and not part of this collection.

Rags - Stanley Theatre (Philadelphia) Program 1915

4-page Stanley Theatre program for the week beginning Monday, August 2, 1915. The big features were Mary's wonderful Rags (1915, James Kirkwood) and Pauline Frederick's lost film Sold (1915.) Also briefly mentions The Foundling (1915) and Madame Butterfly (1915) as coming features.

Mary Pickford / United Artists Promotional Hand Fan ca. 1920s

Die-cut Mary Pickford / United Artists promotional hand fan with wood handle, produced, we can assume, by Josep Germa (Sabadell, Spain) to advertise Anis del Taup anisette -- evidently, the preference for people of good taste. The front features a nice photo of Mary by Campbell Studio framed and surrounded by a floral design. ca. 1920s.

Mary Loses her Locks in Chicago - Underwood and Underwood Press Photo - 1928

Underwood and Underwood press photo. 1928. Donated to MPF.

Mary Loses her Locks in Chicago. Chicago, June 22-28:- The beauty experts in Chicago are not so bad after all. Ask Mary Pickford. She has traveled abroad recently and is now on her way back to Hollywood with her husband. When they arrived in Chicago today, the husband, Mr. Douglas Fairbanks went to visit the National Open tournament at Olympia Fields and Mary started for the beauty parlor. Our photo shows Mary Pickford getting her curls cut off while waiting for another train to take her away from Chicago Today. [Note: This snipe is actually incorrect. Mary had her hair cut in New York by Charles Bock (or simply, Charles,) but these publicity photos were seemingly shot in a barber shop (George Gayton is reportedly the barber) in the Hotel Sherman in Chicago.]

Mary Pickford / Biograph - Postcard - 1913

3 manufacturers; 4 similar Mary Pickford / Biograph Players postcards. While the photograph, taken by an unknown photographer, is at least from 1910-1911 as evidenced by its appearance in the early-1911 IMP Artful Kate (incidentally, the dress she is wearing is worn in her first IMP, Their First Misunderstanding,) the postcards themselves are probably from around 1913. I am uncertain as to how / why the three manufacturers have what appears to be the same exact cutout/layout. Had it been several years later, I would have suggested the studio issued a generic design but I can't really see that being the case here. Furthermore, I can't see the photographer issuing prints with such shoddy modifications. Just another mystery.


Published by Kraus Mfg. Co. 14 E. 17th St., New York, NY. Blonde hair. Brown eyes. (It's worth noting that the Blonde hair notation is accurate, but Mary's eyes were reportedly hazel.)

Published by Kraus Mfg. Co. 14 E. 17th St., New York, NY.

Published by Photo-Play Advertising and Specialty Co., Inc., Pittsburg, PA.


Published by Ess and Ess Photo Co. 19 E. 17th St., New York, NY. (Curiously located across the street from Kraus Mfg. Co. at the time.) 

Tess of the Storm Country - photographs - 1914

Mary Pickford, posing like Tess on the cover of the book by Grace Miller (thank you to Pamela Short for pointing that out,) in a Tess of the Storm Country (1914) promotional photo. Photographer unknown. Part of NZ Photo Album.

Tess of the Storm Country (1914) publicity still. It is worth noting that this very layout, with the paper label glued on recto, was imaged for the Krauss Mfg. postcard series for the film. Typewritten on verso is "I swears that I won't tell." From NZ.


Tess of the Storm Country (1914) "Tess steals milk for Teola's child" mini-lobbycard from Mary's Estate. Gifted from the Pamela Short Collection. Not to be redundant, but written on verso seemingly in Mary's hand: "Mary Pickford in 'Tess of the Storm Country' first production 1914" 

Poor Little Peppina (1916) - Moody - Imperial Theatre Handout - 1916

5" x 7" Imperial Theatre (city unknown at this time) handout featuring a portrait of Mary by Moody and advertising a week-long run of Poor Little Peppina beginning on Sunday, March 5, 1916. I also have another print of this photo in a brown paper folder.

Mary Pickford - White Studio Photos

Mary Pickford poses at a mirror while she... well, a maid... brushes her hair. The White NY studio mark is seemingly hand-signed in ink on recto. Studio stamp on verso. Photo by White, NY (White Studio.) 1916. Perhaps an Artcraft issued publicity still as it came with a batch from NZ.

Mary Pickford poses with a mirror from the same session as that above. Hand-signed in ink (uh, though it's very unlikely to be signed by Mary.) Photo by White, NY (White Studio.) 1916. Part of NZ Photo Album.

Mary Pickford photo by White, NY (White Studio.) 1913. Part of NZ Photo Album.

A nice early and popular Mary Pickford photo by White, NY (White Studio.) 1913. Part of NZ Photo Album.

Early portrait by White, NY ca. 1913. Stamped signature that was subsequently traced in ink. Incidentally, the dress she is wearing can be seen in the random opening shot of Tess of the Storm Country (1914) Gifted from the Pamela Short Collection.

Early tinted portrait by White, NY ca. 1913. Incidentally, the dress she is wearing can be seen in Behind the Scenes (1914.) From Mary Pickford's Estate. Gifted from the Pamela Short Collection.

Esmeralda - Postcards - 1915 (ca. 1920?)


These two exquisitely designed, 2-color (black and metallic bronze ink) Esmeralda (1915) postcards utilize stills from the film of the highest quality (or not.) While it is possible these postcards might have been produced around the time of the film's release, I suspect they might have been made around 1920 or so as I have seen a similar postcard for Heart o' the Hills (1919) -- though I can be wrong. Without any sort of information as to a publisher/printer, it is difficult to say. One of the postcards is most unusual in that the reverse is printed on on a separate piece of paper and affixed to the printed card stock. Have you seen any others?

Mary Pickford Stanbury Photos - White / Alice McClure - c. 1916

Mary Pickford Famous Players-Lasky Star Paramount Program photo by Alice McClure. Alice McClure started a photo studio on 5th Avenue in NYC that was best known for Broadway portraiture — an art that, at the time, was dominated by men. Throughout her career, she recognized the importance of photography in the world, and as such, immersed herself in photographic clubs and societies to advance the field. The text in the lower right corner is handwritten in ink and additionally hand-signed Stanbury, New York. This was master layout that was reshot for prints issued by Stanbury (Robert K. Stanbury of New York) c. 1916. I assume the print itself is from McClure (unless Stanbury made a copyprint prior to marking it with ink.) The prints made from this master do turn up from time to time as I have seen at least two. Part of NZ Photo Album.

Mary Pickford photo by White. Printed and issued by Stanbury (Robert K. Stanbury of New York.) Signature in negative. c. 1916. It is worth noting that I have seen another Stanbury print of this same photo that is slightly different. It also appears on a Stabury-issue pillow top. Part of NZ Photo Album.



A Stanbury advertisement announcing such photos that could be found in a variety of publications at the time. This ad is for reference only and is not part of the collection.

Mary Pickford - Signed Apeda Studios Photograph c. 1914


Lightly-tinted Mary Pickford 5.75x7 photo, stamped Apeda Studios (which is Art Photography Etchings Drawings and Architecture -- run by Alexander W. Dreyfoos Sr.) on reverse. Even still, was the photo taken by Apeda? It may actually be by White Studio. Hand-signed in ink. It's clear that Mary's handwriting changed like the wind, but this variant of her signature is seen around 1913/1914. Part of NZ Photo Album. 

Mary and Charlotte Pickford in Asbury Park - RPPC - 1915


On August 25, 1915, Mary Pickford, along with her mother, Charlotte, Adolph Zukor, and his wife, Lottie, were special guests at the 25th annual Baby Parade in Asbury Park, NJ. While visiting, Mary reportedly also made a personal appearance at the Lyric Theatre during a screening of Rags and stopped at The Auditorium in nearby Ocean Grove for additional parade festivities. While it is no secret, various reports detailing these festivities show just how popular Mary was at the time.

The September 11, 1915 issue of Motion Picture News noted: “Mary Pickford, star of the Famous Players Film Company, who was last Wednesday extended the unusual distinction of being the Guest of Honor of the City of Asbury Park at a Silver Jubilee Baby Parade—the first actress in all the twenty-five years during which Asbury Park has annually celebrated a Baby Parade to receive this signal honor, a preference shared in past years by President Wilson, Ex-President Theodore Roosevelt and other national celebrities—was tendered the greatest ovation with which the famous seaside resort has ever welcomed a visitor. 

“A significant feature of the parade was the numerous impersonations of Miss Pickford’s various creations by the children, principal among which were 'Tess of the Storm Country,' 'Hearts Adrift,' 'Such a Little Queen' and 'Mistress Nell.' [While information regarding those entries remains elusive, it is worth noting that the August 26, 1915 edition of the Newark Evening Star reported, “Ina Stevenson, daughter of Phillip Stevenson, of Kearny, won first prize in the express wagon division, dressed to represent Mary Pickford in one of her characteristic poses.” The August 29, 1915 edition of the Brooklyn Daily Eagle also noted that NY Senator Daniel J. Carroll's son, Lawrence (8) as "The Little Devil" and daughter, Margaret (7) as the "The Good Fairy," were chosen by Mary Pickford to received the Mary Pickford Prize for their leaf and daisy-decorated float, “The Fairy's Reward to the Good Little Devil.” We can assume Mary was just a tad biased.] Another interesting aspect of the event was the fact that Miss Pickford has obtained the addresses of three of the youngsters who appeared in the parade, and in whom she detected screen possibilities. As the children in question passed the reviewing stand, the star pointed them out to Adolph Zukor, president of the Famous Players Film Company, who, with Mrs. Zukor and Miss Pickford’s mother, accompanied her to Asbury Park, and who later secured the names and addresses of the children from the carnival officials. It is planned by Mr. Zukor and Mary Pickford to give these children an early opportunity to appear with her on the screen. The fortunate youngsters selected for this unusual notice are Jean Linn Hart, of Brooklyn, who appeared in the parade in the float call 'The Barrel of Love'; Marjorie H. Conover, of Bayonne, who appeared in a revolving frame called 'The Moving Picture'; and Adele Demming, of Asbury Park [who, the August 29, 1915 edition of the Brooklyn Daily Eagle reported,  “was seated in a huge candy box entitled 'Just a Box of Sweets.” And as far as I can tell, even with Mary’s accolades, acting was not in the future of any of the children she selected, though of course I can not say conclusively.]”

Festivities concluded at the Ocean Grove Auditorium where Mary gave a little speech saying, "I want to tell you how much I've enjoyed Ocean Grove and Asbury Park. I think they are two very beautiful places and I've enjoyed being here." (The Ocean Grove Times, August 27, 1915)

It was reported in the September 15, 1915 issue of The Moving Picture World that Pathe, on behalf of Paramount, filmed the parade and the film, featuring some footage of Mary, was shown at local theatres. A series of 15 postcards commemorating the parade, some of which featuring Mary, were produced by Cole & Co. of Asbury Park. The two shown above were gifted from the Pamela Short Collection.

Photo taken from the September 11, 1915 issue of Motion Picture News.
Courtesy MHDL. 

A view of the amphitheater and reviewing stand, where Mary and party were seated (under the umbrella on the left of the viewing stand,) along Kingsley Avenue between 7th and 8th Avenues--the current site of the Asbury Park Parking. The largest building in the background is the Hotel Colonial which, along with every other building shown, is no longer standing.


Mary Pickford - Ira L. Hill - Rebecca of Sunnybrook Farm - postcard - 1917


3.25 x 5.25 postcard / theatre card from 1917 featuring a 1916 photo of Mary by Ira L. Hill. The card advertises a children's matinee of Rebecca of Sunnybrook Farm--among other films--at the City Opera House (city unknown at this time.)