Showing posts with label White. Show all posts
Showing posts with label White. Show all posts

A Good Little Devil - Scrapbook Page w/ Ticket Stubs, Program Newspaper Magazine Clippings, etc. - 1913

A nice assortment of David Belasco's A Good Little Devil ephemera. These pieces -- including two ticket stubs and program/newspaper/magazine clippings that feature many photos by White NY -- are affixed to both sides of a giant page extracted from an old scrapbook. They were compiled by an unknown theatregoer who was lucky enough to attend the Broadway opening of the play with their mother at the Republic Theatre on Wednesday, January 8, 1913.


Written in ink, among other words, "Mary Pickford (my movie idol) was wonderful." The photographer of this early portrait of Mary is unknown at this time.


Orchestra seat tickets for the Wednesday, January 8, 1913 Broadway opening of Belasco's A Good Little Devil.

Mary Pickford Pillow Top - Stanbury - 1916

Photo pillow tops, popular in the early-1900s, were an easy way to dress up your boring couch pillows. One could have any photo printed on a sheet of fabric (typically an 18"x18" sateen square) which would would then be sewn onto a dull pillow and embellished however one's heart desired. R. K. Stanbury, seeing a way to cash in, printed the portraits of early stars on pillow tops and sold them, along with other photos and the like, via advertising in an assortment of publications. This Stanbury pillow top, cut down to 15"x15", trimmed with fringe and a back added, features a photo of Mary Pickford by White Studio.


An advertisement for the same. This ad is for reference only and is not part of the collection.



This pillow top on display at the Barrymore Film Center's 2023 exhibit, Power Couple: Douglas Fairbanks and Mary Pickford in Hollywood, albeit erroneously noted as being produced by B.K. Stanbury. 

Mary Pickford - Wyanoak print -1914


Well-used portrait of Mary at the time by photographer unknown, perhaps Apeda? White? This particular print was produced by the Wyanoak Company of New York in 1914. Signature printed in image.

Mary Pickford - Photoplayers Portrait Co. White Photo Print - 1914

11x14 colored print, issued by the Photoplayers Portrait Co. of New York in 1914, featuring a Mary Pickford portrait by White Studio. It's worth noting that "this richly colored portrait on heavy art photo-board to stand on your bureau will not require a frame, as embossed design frames it. A new pose-rich in color. The most beautiful and artistic colored photograph of this popular star ever made." All for 25 cents! Incidentally, the dress Mary is wearing is the same one worn in the oddly-placed opening shot of one of Mary's greatest films--Tess of the Storm Country (1914.)


This ad is for reference only and is not part of the collection.

Belasco's A Good Little Devil (1913) Republic Theatre Postcards

Postcard for David Belasco's theatrical performance of A Good Little Devil (1913) at the Republic Theatre in New York. On stage photographs by White Studio. "An interesting scene from David Belasco’s great production of the Rostand fairy play at the Republic Theatre, New York, with Ernest Truex, Mary Pickford and Henry Stanford. Arthur Hill impersonates Rab, the dog."

Postcard for David Belasco's theatrical performance of A Good Little Devil (1913) at the Republic Theatre in New York. On stage photographs by White Studio. "Juliet sits by the wishing-well in her wonderful garden and makes her wish: 'I want to be Charle's wife.' The fairies hear it and smile their approval." --From David Belasco's fairy play triumph at the Republic Theatre, New York." The victorian figures flanking the photo are illustrations by Kate Greenaway. Pictured are Lillian Gish, Wilda Bennett, Claire Burke, Mary Pickford, Peggie Wallace, Georgia Fursman and Edna Griffin.

Postcard for David Belasco's theatrical performance of A Good Little Devil (1913) at the Republic Theatre in New York. On stage photographs by White Studio. "Charles, poor little devil, who is starved and beaten by his wicked old aunt. is visited at night by his friends, the fairies -- Queen Mab, together with Viviane. Morganie, Titania, Dewbright and little Thought-from-After. --One of the most beautiful episodes in David Belasco's remarkable fairy play for children and grown-us, the greatest of popular hits at his Republic Theatre, New York."

Postcard for David Belasco's theatrical performance of A Good Little Devil (1913) at the Republic Theatre in New York. On stage photographs by White Studio. "The fairies laugh with delight as Charles, good little devil, and Juliet, his little blind sweetheart, exchange their betrothal kiss. -- Scene from the most beautiful and successful of all fairy plays, produced by David Belasco at the Republic Theatre, New York." Pictured are Lillian Gish, Claire Burke, Mary Pickford, Ernest Truex, Peggie Wallace, Georgia Fursman, Edna Griffin, Wilda Bennett.

Postcard for David Belasco's theatrical performance of A Good Little Devil (1913) at the Republic Theatre in New York. "Ernest Truex who plays the boy, Charles MacLance, in David Belasco's remarkable produciton of the Rostand fairy play for grown-ups, 'A Good Little Devil.' --Charles Darnton in the N. Y. Evening World declares it 'the greatest of all fairy plays.'"

I assume these postcards were issued by the Republic Theatre, as evidenced by the theatre being explicitly noted on one of the designs, however I have seen at least one case where they were given away at the performance at a different theatre in a different city -- perhaps simply overstock left to dispense elsewhere.


Mary Pickford - White - Poster / Lobby Photo / Photo - ca. 1914

This sepia-toned piece that has seen better days (though it does look much nicer in reality as every possible flaw has been accentuated by the camera) is bit of a mystery. I have never seen it before nor can I turn up any information about it. It is roughly lobby card size (10.375" x 13.875 to be exact) and printed on paper with the reverse being blank. I assume it is a printed lobby photo -- the type of thing exhibitors could order from trade magazines -- to be displayed in a theatre to entice the public, but it could possibly be a "free" fan photo of sorts obtained from who knows where. In any event, ca. 1914 with an oft-used photo by White Studio. Do you know the story behind it?

Postcard - Photo by White? - 1914

Postcard featuring a Mary Pickford portrait by what I believe to be White Studio but I can be wrong about that. (Or maybe Gould & Marsden? Apeda?) The reverse advertises a July 24, 1914 screening of Never Again (1910) and When We Were In Our Teens (1910) at Marcus Loews' Royal Theatre at Pearl and Willoughby in Brooklyn, NY. Incidentally, those two shorts are among my favorites of Mary Biographs as she truly excelled at comedy and played best alongside Billy Quirk. 

Hand-tinted Sarony and White Photo Cards - ca. 1915

These pieces seemingly belong to a series of nicely hand-tinted, oddly sized (4.625" x 6.5") photo cards featuring portraits by Sarony and White, ca. 1915. I do not have all too much information about them but I suspect they were produced by Kraus Mfg. Co. N.Y. as they're clearly quite similar to, and featuring the same portraits as several of their abundantly popular postcards. From Mary Pickford's Estate. 

Photo by White.

Photo by Sarony.

Photo by Sarony.

Photo by Sarony.

Photo by Sarony.

Photo by White.


Mary Pickford - White Studio Photos

Mary Pickford poses at a mirror while she... well, a maid... brushes her hair. The White NY studio mark is seemingly hand-signed in ink on recto. Studio stamp on verso. Photo by White, NY (White Studio.) 1916. Perhaps an Artcraft issued publicity still as it came with a batch from NZ.


Mary Pickford poses with a mirror from the same session as that above. Hand-signed in ink, though clearly not signed by Mary. Photo by White, NY (White Studio.) 1916. Part of NZ Photo Album.



Mary Pickford poses with a mirror. Photo by White, NY (White Studio.) From Mary's Estate. 1916.


Mary Pickford poses with a book. Stamped signature. Photo by White, NY (White Studio.) 1916.


Mary Pickford photo by White, NY (White Studio.) 1913. Part of NZ Photo Album.



A nice early and popular Mary Pickford photo by White, NY (White Studio.)  From Mary's Estate. 1913.


A nice early and popular Mary Pickford photo by White, NY (White Studio.) 1913. Part of NZ Photo Album.


A nice early and popular Mary Pickford photo by White, NY (White Studio.) Stamped Signature. 1913.



Colorized early portrait by White, NY. Handsigned in ink by Mary Pickford on recto and verso. Correspondence and signature on verso reads, "Haven't an uninscribed photo so hope you will use this one. Owen [Moore] joins me in sending our love to our little friend Beverly Sinclaire. My word! Mary." ca. 1913.



Early portrait by White, NY ca. 1913. Stamped signature that was subsequently traced in ink. Incidentally, the dress she is wearing can be seen in the random opening shot of Tess of the Storm Country (1914) 



Early portrait by White, NY. Incidentally, the dress she is wearing can be seen in the random opening shot of Tess of the Storm Country (1914.)  From Mary's Estate. ca. 1913.



Early tinted portrait by White, NY ca. 1913. Incidentally, the dress she is wearing can be seen in Behind the Scenes (1914.) From Mary Pickford's Estate.



Mary Pickford in a portrait by by White, NY (White Studio.) Signed in ink, though very clearly not by Mary. ca. 1914.


Mary Pickford Stanbury Photos - White / Alice McClure - c. 1916

Mary Pickford Famous Players-Lasky Star Paramount Program photo by Alice McClure. Alice McClure started a photo studio on 5th Avenue in NYC that was best known for Broadway portraiture — an art that, at the time, was dominated by men. Throughout her career, she recognized the importance of photography in the world, and as such, immersed herself in photographic clubs and societies to advance the field. The text in the lower right corner is handwritten in ink and additionally hand-signed Stanbury, New York. This was pasteup / master layout that was reshot for prints issued by Stanbury (Robert K. Stanbury of New York) ca. 1916. I assume the print itself is from McClure (unless Stanbury made a copyprint prior to marking it with ink.) The prints made from this master do turn up from time to time as I have seen at least two. Part of NZ Photo Album.

5 1/8" x 6 7/8" printed piece featuring photo by Alice McClure and issued by Stanbury. ca. 1916.

Mary Pickford photo by White. Printed and issued by Stanbury (Robert K. Stanbury of New York.) Signature in negative. c. 1916. It is worth noting that I have seen another Stanbury print of this same photo that is slightly different. It also appears on a Stabury-issue pillow top. Part of NZ Photo Album.

A Stanbury advertisement announcing such photos that could be found in a variety of publications at the time. This ad is for reference only and is not part of the collection.

Mary Pickford - Signed Apeda Studio Photograph c. 1914




Lightly-tinted Mary Pickford 5.75x8 photo, stamped Apeda Studios (which is Art Photography Etchings Drawings and Architecture -- run by Alexander W. Dreyfoos Sr.) on reverse, but was the photo taken by Apeda? It may have actually been taken by White Studio,  Gould & Marsden, or some other photographer. Hand-signed in ink. It's clear that Mary's handwriting changed like the wind, but this variant of her signature is seen around 1913/1914. Part of NZ Photo Album.

Apeda was known more as a photograph printer than a photography studio (though it seems they did take photos too.) They partook in the shady business of printing photos taken by other studios, but not before removing the original studio mark and adding their own. In fact, NYC powerhouse White took them to court -- and lost! The June 14, 1913 issue of Abel’s Photographic Weekly explained the court’s decision, “In the Apeda case, the customer goes to them with his or her own picture, whoever it is made by, and orders in writing extra copies of that picture. If that picture is not copyrighted by the original photographer, it is then clearly lawful — even if it is not ethical — for the Apeda Company to copy it and sell as many copies as they have orders for.” The suit further noted that the photographer that took the photo (in this court case, White NY) has no right to reproduce the photograph if it was not copyrighted and not given consent by the sitter.


5.75x7 photo, by Apeda? White? Gould & Marsden? Stamped Signature. ca. 1913.

Mary Pickford Cap - 1914

Manufactured by Chicago's Vassar Cap Company, the Mary Pickford Cap (actually a variety of caps) was "the greatest sensation in years" and "the craze of the age" -- the age being late-1914, when the hats cost an upwards of $2.95, until about the mid-1915 when some were on special for as low as $.59.

In otherwise good condition, this black cloth cap may be missing its light-colored trimming/band that is present in several photos of Mary sporting it by White Studio (unless that was a personal add on as it seems to be missing in at least one of Mary's photo.) Printed logo inside the hat. 

The November 11, 1914 Dry Goods Reporter reported, "A new cap, called the 'Mary Pickford,' which is said to have been designed by the popular moving picture star of that name, has made its appearance and through the publicity given it in an advertising way in the Chicago daily papers, gives promise of becoming popular.

"The cap is made of cloth, velvet, corduroy, satin and mohair and it comes in a variety of the season's favored colors. It is made with a pleated full crown with a rubber in the back which persists of adjustment. The front of the cap has a visor which protects the face and gives an air of jauntiness which is becoming to young girls, for whom the cap is intended.

"The Vassar Cap Company, the manufacturers, announced in an advertisement in the Sunday papers that on Monday several pretty girls would promenade about the downtown streets between the hours of 10 a.m. and 3 p.m. The first fifty persons who said to one of the girls, 'You are wearing the new Mary Pickford caps,' would be presented with an order for one of the caps which could be procured at any of the leading State street stores. Although a perfect blizzard raged in Chicago at the time, the girls were approached many times over fifty times by women who wanted one of the caps. The was the means by which the cap was brought directly to the attention of the consumer."

For more information, see the sampling of advertisements below (from Photoplay 12/1914, Fort Wayne Sentinel 11/19/1914, Dry Goods Reporter 11/11/1914, and Duluth Herald 11/20/1914.) These ads are for reference only and not part of this collection.