Showing posts with label A Good Little Devil. Show all posts
Showing posts with label A Good Little Devil. Show all posts

A Good Little Devil - Scrapbook Page w/ Ticket Stubs, Program Newspaper Magazine Clippings, etc. - 1913

A nice assortment of David Belasco's A Good Little Devil ephemera. These pieces -- including two ticket stubs and program/newspaper/magazine clippings that feature many photos by White NY -- are affixed to both sides of a giant page extracted from an old scrapbook. They were compiled by an unknown theatregoer who was lucky enough to attend the Broadway opening of the play with their mother at the Republic Theatre on Wednesday, January 8, 1913.


Written in ink, among other words, "Mary Pickford (my movie idol) was wonderful." The photographer of this early portrait of Mary is unknown at this time.


Orchestra seat tickets for the Wednesday, January 8, 1913 Broadway opening of Belasco's A Good Little Devil.

Belasco's A Good Little Devil (1913) Republic Theatre Postcards

Postcard for David Belasco's theatrical performance of A Good Little Devil (1913) at the Republic Theatre in New York. On stage photographs by White Studio. "An interesting scene from David Belasco’s great production of the Rostand fairy play at the Republic Theatre, New York, with Ernest Truex, Mary Pickford and Henry Stanford. Arthur Hill impersonates Rab, the dog."

Postcard for David Belasco's theatrical performance of A Good Little Devil (1913) at the Republic Theatre in New York. On stage photographs by White Studio. "Juliet sits by the wishing-well in her wonderful garden and makes her wish: 'I want to be Charle's wife.' The fairies hear it and smile their approval." --From David Belasco's fairy play triumph at the Republic Theatre, New York." The victorian figures flanking the photo are illustrations by Kate Greenaway. Pictured are Lillian Gish, Wilda Bennett, Claire Burke, Mary Pickford, Peggie Wallace, Georgia Fursman and Edna Griffin.

I've seen at least two other designs out there: One depicting a photograph of “Rosemond Gerard (Madame Edmond Rostand) and her son, Maurice Rostand, authors of ‘A Good Little Devil.’” And the other with “Ernest Truex who plays the boy, Charles MacLance, in David Belasco’s remarkable production of the Rostand fair play for grown-ups.”

While I would have assumed they were issued by the Republic Theatre, as evidenced by the theatre being explicitly noted on one of the designs, I have seen a case where they were given away at the performance at a different theatre in a different city -- meaning perhaps they were generically made by Belasco for the production, or more likely, there were simply overstock left to dispense elsewhere.


A Good Little Devil (1914) - Postcard

A Good Little Devil (1914) "The tortured, beaten boy becomes a lord" Famous Players postcard manufactured by the Krauss Mfg. Co. This production, actually taken in 1913, was produced at the Famous Players 26th Street Studio in NYC while the stage performance was still running at the Republic Theatre. Mary recalled that the troupe filmed at the studio during the days there were no matinees, and then ran the performance again on the theatre stage at night. The film was generally a flop as it was essentially just the theatrical performance, sans sound, but it was the start of a fantastic relationship between Mary and Adolph Zukor which played an important part in the movie history. This postcard is additionally marked on verso for a Saturday, April 25, 1914 screening at the Town Hall Theatre in Orange, MA.



A Good Little Devil (1914) "Mr. Belasco visualizing a scene in 'A Good Little Devil'" Famous Players postcard manufactured by the Krauss Mfg. Co. This postcard is likewise additionally marked on verso for the same Saturday, April 25, 1914 screening at the Town Hall Theatre in Orange, MA. Gifted from the Pamela Short Collection.

Mary and Charlotte Pickford in Asbury Park - RPPC - 1915

On August 25, 1915, actress Mary Pickford, along with her mother, Charlotte, producer Adolph Zukor, and his wife, Lottie, were special guests at the 25th annual Baby Parade in Asbury Park, NJ. The reviewing stand for the event was located east of Kingsley Avenue between 7th and 8th Avenues.

As part of the visit, Mary reportedly also made a personal appearance at the Lyric Theatre during a screening of Rags and stopped at The Auditorium in nearby Ocean Grove for additional parade festivities.

While it is no secret, various reports detailing these festivities show just how popular Mary was at the time.

The September 11, 1915 issue of Motion Picture News noted: “Mary Pickford, star of the Famous Players Film Company, who was last Wednesday extended the unusual distinction of being the Guest of Honor of the City of Asbury Park at a Silver Jubilee Baby Parade—the first actress in all the twenty-five years during which Asbury Park has annually celebrated a Baby Parade to receive this signal honor, a preference shared in past years by President Wilson, Ex-President Theodore Roosevelt and other national celebrities—was tendered the greatest ovation with which the famous seaside resort has ever welcomed a visitor. 

Mary Pickford in Hearts Adrift

Mistress Nell
“A significant feature of the parade was the numerous impersonations of Miss Pickford’s various creations by the children, principal among which were 'Tess of the Storm Country,' 'Hearts Adrift,' 'Such a Little Queen' and 'Mistress Nell.' [While information regarding those entries remains elusive, it is worth noting that the August 26, 1915 edition of the Newark Evening Star reported, “Ina Stevenson, daughter of Phillip Stevenson, of Kearny, won first prize in the express wagon division, dressed to represent Mary Pickford in one of her characteristic poses.” The August 29, 1915 edition of the Brooklyn Daily Eagle also noted that NY Senator Daniel J. Carroll's son, Lawrence (8) as "The Little Devil" and daughter, Margaret (7) as the "The Good Fairy," were chosen by Mary Pickford to receive the Mary Pickford Prize for their leaf and daisy-decorated float, “The Fairy's Reward to the Good Little Devil.” We can assume Mary was just a tad biased.]

The Fairy's Reward to the Good Little Devil
Another interesting aspect of the event was the fact that Miss Pickford has obtained the addresses of three of the youngsters who appeared in the parade, and in whom she detected screen possibilities. As the children in question passed the reviewing stand, the star pointed them out to Adolph Zukor, president of the Famous Players Film Company, who, with Mrs. Zukor and Miss Pickford’s mother, accompanied her to Asbury Park, and who later secured the names and addresses of the children from the carnival officials. It is planned by Mr. Zukor and Mary Pickford to give these children an early opportunity to appear with her on the screen. The fortunate youngsters selected for this unusual notice are Jean Linn Hart, of Brooklyn, who appeared in the parade in the float call 'The Barrel of Love'; Marjorie H. Conover, of Bayonne, who appeared in a revolving frame called 'The Moving Picture'; and Adele Demming, of Asbury Park [who, the August 29, 1915 edition of the Brooklyn Daily Eagle reported,  “was seated in a huge candy box entitled 'Just a Box of Sweets.” And as far as I can tell, even with Mary’s accolades, acting was not in the future of any of the children she selected, though I cannot say conclusively.]”

Festivities concluded at the Ocean Grove Auditorium where Mary gave a little speech saying, "I want to tell you how much I've enjoyed Ocean Grove and Asbury Park. I think they are two very beautiful places and I've enjoyed being here." (The Ocean Grove Times, August 27, 1915)

It was reported in the September 15, 1915 issue of The Moving Picture World that Pathe, on behalf of Paramount, filmed the parade and the film, featuring some footage of Mary, was shown at local theatres. A series of 15 postcards commemorating the parade, some of which featuring Mary, were produced by Cole & Co. of Asbury Park. The two postcards above were gifted from the Pamela Short Collection.
Hearts Adrift
Photo taken from the September 11, 1915 issue of Motion Picture News.
Courtesy MHDL. 
A view of the amphitheater and reviewing stand, where Mary and party were seated (under the umbrella on the left of the viewing stand,) along Kingsley Avenue between 7th and 8th Avenues--the current site of the Asbury Park Parking. The largest building in the background is the Hotel Colonial which, along with every other building shown, is no longer standing.

Belasco's A Good Little Devil - Republic Theatre Program - March 1913

Republic Theatre program for the week of Monday, March 17, 1913, with only the cover and one page being shown here, for David Belasco's stage production of A Good Little Devil featuring Mary in the role of blind Juliet. Worth noting, by this time Mary's friend Lillian Gish had already left the production and was replaced with Vida Talbot. A program page from the January 3, 1913 Broadway opening (which did feature Gish) can be found here. Gifted from the Pamela Short Collection.

Mary Pickford (photo by White) / A Good Little Devil Postcard - 1914

Mary Pickford / Famous Players Film Co. postcard by Kraus Mfg. Co. featuring a photo by White. Additional advertising on verso for A Good Little Devil (erroneously noted as The Good Little Devil. Obviously, the Famous Players film version which was Mary's first feature length production -- filmed in 1913 but not released until 1914) showing at the Apollo Theatre in Tacoma, Washington. July 28-29-30, 1914

A Good Little Devil - Herald - 1914

A Good Little Devil herald produced by Famous Players Film Company. Additionally marked "First time in Germantown [Philadelphia] at the Colonial Theatre. Thursday, September 17 [1914] . . ." Gifted from the Pamela Short Collection.

Munsey Magazine Clipping - May 1913

A clipping from the May 1913 issue of Munsey Magazine of an early, albeit brief, interview with Mary and featuring a photo by White Studio. Although close to the time of her A Good Little Devil theatrical performance, she mainly talks about her about her preference for film over the stage. The interview:

"When I was less than five years old I was taken to see 'Uncle Tom's Cabin.' I insisted that the Little Eva was too big for the part, and felt that I could have done much better myself. This was in Toronto, where I was born. One of mother's friends was a stage-manager of a stock company. One night he happened to remark that it was difficult to find children for the plays that required them, and suggested that possibly my sister and myself could help him out. Mother was scandalized. She had the old-fashioned notions about the playerfolk, and only after he had introduced her to the ladies and gentlemen of the company would she give her consent."

"Well, I play in 'Bootle's Baby' and 'In Convict Stripes.' I was the girl in 'The Silver King' and the boy in 'East Lynne.' After a while we came to New York, where I went to school, and here the luckiest thing of all happened to me. I got into the 'movies.' Yes, that the work I like best. And why shouldn't I? You rehearse for perhaps one day, instead of four or five weeks, and there is no terrible worry about whether the play is going to succeed or fail. Then you travel about the country in automobiles, and go to California, Cuba, and all sorts of interesting places. You draw a salary fifty-two weeks in the year, and have all your evenings to yourself, so that you can go to the theater as much as you like. Do you wonder that I hope the 'talkis' won't be a success?"

"How about your future?" I inquired. "Aren't you ambitious to act some big role?"

"No, not in emotional drama," she answered. "What's the use? The public doesn't care for that sort of thing any more, and if people don't think enough of what you do to come in crowds to watch it, I can't imagine any other reason for doing it. Light comedy would please me best; but to my mind, after all, the 'movies' are the most satisfying. There is a fascination about the work that never palls.

"What, with no real audience to play to when you are posing?" I reminded her.

"Yes, indeed," came back the prompt reply. "For in the 'movies' you have something a great deal better. You can be your own audience and watch yourself act. I have not yet got over the joy of sitting out in front and seeing myself walk about the screen!"

When you recall that Mary Pickford, the heroine of "A Good Little Devil," was with the David Belasco half a dozed years ago as Betty in "The Warrens of Virginia," you may know that she isn't so young as she looks. Nevertheless, her grown-up state in teh last act of her present play marks her first appearence in other than a child's part.

A Good Little Devil - Oversized Photo by White Studio - ca. 1912

An extremely sharp 11"x14" oversized photograph by White Studio depicting a scene from Mary's theatrical performance of David Belasco's A Good Little Devil circa 1912. Pictured are Lillian Gish, Wilda Bennett, Claire Burke, Mary Pickford, Peggie Wallace, Georgia Fursman, Edna Griffin, Sam Goldstein, and Pat Walshe. Gifted from the Pamela Short Collection.

The Detroit News - September 9, 1934 - Newspaper

An entire newspaper spread from September 9, 1934 issue of The Detroit News dedicated to Mary that features photos (At the Little Red Schoolhouse, The Way of Man, A Good Little Devil, The New York Hat, Suds) and the usual bits of trivia. Gifted from the Pamela Short Collection.